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Estelle Artus's avatar

I jumped out of my chair when reading: "filmmakers should provide even more access and more support to a range of community-based film organizations". It is so unfair to put that on the back of filmmakers while we know that film festivals work for themselves rather than for the filmmakers.

Regional film festivals are answering their constituents first. They are often struggling with local politics that have nothing to do with cinema. As you wrote, they are UNABLE to provide filmmakers with either press coverage or distribution opportunities.

A lot of NYC filmmakers I know shared their frustration about regional festivals during private talks. For the anecdote, I've experienced this odd feeling of talking at a regional festival with the crowd vanishing once the buffet opened next room. So much for the 'community of film-lovers'. And did I mention films selected because the lead actress is gorgeous and will look good at private receptions? Sometimes you wonder if the films selected aren't just based on the cast to create a young and glitzy enough 'scene' that will keep sponsors entertained and pay for the next year festival. It is an economy but somehow an economy that serves filmmakers last.

Something else has to be created.

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Ted Hope's avatar

You've provided a great service over these three articles on the current film festival leg of the film ecosystem, how we got here, and where we have to go. I love the dive into solutions. Keep it up!

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